With the arrival of Oro and Akira also comes the long awaited Online Tournament Mode! This free mode is now available to all Street Fighter V players and will allow you to participate in player-created tournaments and even host your own! In this blog, we’ll go over the details on how to join or start your own tournament.

First up, we have a video that highlights the main features of this mode:

Creating a Tournament

To create your own tournament in SFV, start by navigating to the “CFN” menu on the Main Menu. From there, scroll all the way to the right and select “Tournament.”

From here, you’ll see a list of tournaments already created. Press the “Options” button to enter the tournament creation mode. You’ll start by determining the basic details of your tournament. Keep in mind that the name of your tournament will be your Capcom Fighter ID followed by “CUP” (e.g. a player named “Fighter01” will get a tournament called “Fighter01 CUP”).

After creating your tournament, you’ll have the option to modify the following:

• Start Date and Time – Time zone is determined based on your location.
• Max number of Players/Teams – Max of 64 total.
• Password – If you wish to limit who can enter, they will need to know the password.
• Tournament Format – Double or single elimination.
• 3^rd Place Playoff – If you wish to have a playoff match for 3^rd place.
• Character Select – If this is off, players will be defaulted to their favorite characters for online matches.

• Regulations – 1-on-1 or 2-on-2 / 3-on-3 Team Battles.
• Match Format through Throwaway Matches – Rules set for Team Battles only.
• Rounds – Number of rounds per match.
• Match Time – How long each round will be.
• Victory Settings – First to 1, 2, or 5 rounds.

• Hardware – PS4, PC, or no preference.
• Entry Preference – Open to all players or limited to nearby players only.
• League Restrictions – This applies to rank such as Bronze, Silver, Gold, etc.
• Character Restrictions – Limit certain characters only or allow any character!
  • Note: participating players can only use characters they own.
• Stage Restrictions – Limit which stages can be chosen.
  • Note: only stages owned by the tournament creator can be selected. Random Stage setting is set by default.

From here, the tournament is created and the creator can monitor who enters and they can remove any players they want. Entrants can also view the list to see who their potential opponents will be.

Tournament Creator can also live spectate matches if they reserve in advance. Participants and all SFV users can watch the replays after the bracket concludes.

Once a tournament ends, you can view the winner and the results of each match from the entire tournament.

Joining a Tournament

Joining a tournament is even easier than setting one up! Simply go to the Online Tournament Mode and see the list of available tournaments.

You can change the display order to filter tournaments out or search directly via Fighter ID (FID) or keywords. As a reminder, tournament names will be the FID + “CUP” so if you are looking to join a specific tournament, search for the creator’s FID.

If you are entering a team tournament, you can send requests to friends to join your team.

Once entered, you can view the participant list until the tournament begins. You’ll have to check in before the tournament begins, including teammates if it is a team tournament, so take note of the tournament’s date and time. From there, you participate as normal and fight to become the champion!

We hope you enjoy Online Tournament Mode and that this gets your Street Fighter V competitive juices flowing even more! For more info on Online Tournament Mode, check out the Online Manual. Also, be sure to check our Twitter and Facebook for info on upcoming tournaments!

Hi, everyone. It’s Yasuyuki Makino, the main producer of The Great Ace Attorney Chronicles. It’s been about a week since the game’s release. How have you been enjoying it so far?

So, last time, I shared a few of my thoughts and memories of the Ace Attorney and The Great Ace Attorney series with you. This time, I thought I’d talk a little about the creation of the brand new Chronicles logo in both Japanese and English. I hope you’ll indulge me in a little reminiscing.

Designing the Japanese Logo

As some of you may already know, in conjunction with the release of the Nintendo 3DS version of Resolve, we released a special limited-edition double-pack containing both Adventures and Resolve (we packaged them together into one thick box). So when it came time to think about what to do for the package and logo of this multi-platform collection, I initially thought I could reuse the old logo design since the title was going to be the same… but I quickly realized that we absolutely had to use a different design if we were to avoid any player confusion.

Knowing that we were definitely going to up-res everything, and definitely add some in-game bonuses, and definitely make some quality of life adjustments to the game, the scope of this project was going to be far greater than simply bundling the two games into one and call it a day. As I mentioned last time, this was to be a chance to re-introduce The Great Ace Attorney to the whole world, so as a producer, I approached this as a totally new title – complete with a new marketing campaign! With that intent in mind, I asked our graphics design team to come up with a few different color and design variations for the logo. Broadly speaking, I asked for designs that were reminiscent of the original, and designs that presented the game in a new light (basically, ones that went in a different direction). These are a few of their suggestions.

And then… after listening to feedback from the game’s director, localization director, and other dev team and promo team members, we struggled through a few iterations to arrive at this. It’s a pretty bold design, really, if I do day so myself.

I chose to go with this divergent design because I thought it was more important for the logo to be eye-catching than to stick with the original design. So, we proceeded to use this logo until, one day, I received a simple, “We need to talk” from the original art director and character designer, Mr. Kazuya Nuri. I’d asked him to create a new illustration for the package art of this title, so I quickly set up a meeting for us. Wondering what could be up, I entered the meeting room, where I was immediately blown back out by an intense “What the heck is with that logo?!” In all the time I’ve worked with Mr. Nuri on various projects since the release of the 3DS version of Resolve (and even now after we’ve finished making Chronicles) I’d never been told off quite so soundly by him. But this time, I’d apparently “really gone way too far!!!!”, as he put it. After I explained my rationale to him (about how I wanted to make sure the logo didn’t look too much like the old one and how I wanted to approach the marketing of this game as a new title), he said, “All right, let me see if I can’t strike a better balance”, and took up the job of redesigning the logo himself. The final logo is the product of his hard work, and before long, Mr. Nuri also turned in his new key visual for this game’s box art. In a way, I suppose you could say that I got everything I wanted as a producer out of him. After all, I’m sure you were as dumbstruck as me when you first laid eyes on that illustration, weren’t you? This is an excellent example of how one quack producer’s rational thinking can be defeated by a super talented creator’s sensibilities through his art.

Designing the English Logos

Because of the importance of the English version to this project, we obviously had to create some English logos as well. Early on in the development, the localization director and I discussed the English title, and we quickly settled on including the word “Great” in it. As for the subtitles, our overseas offices advised us that the name ‘Naruhodo’ itself is unfamiliar to most players, so it seemed natural that we should simply go with “Adventures” and “Resolve”. With the title squared away, we asked the graphics design team to send us a few ideas based around these three concepts:

1. Must convey that this is an Ace Attorney game (similar-looking designs to the existing logos were acceptable)
2. Must convey the Victorian setting
3. Should feature a stylish steampunk aesthetic (as an extension of concept number 2)

And here are some of the initial designs we received.

Ideas in hand, it was a relatively short journey to our final designs for Adventures and Resolve, but the road to the Chronicles logo was very long and winding… You almost have to see it to believe it, but here are the initial design ideas we received. I think you can imagine just how bumpy the path must’ve been from this starting point…

Along with the graphics design team, we poured over reference materials of all sorts – fonts and typography, Victorian signage, steampunk images, and even previous Japanese promotional materials for the series. The main dev staff, the localization director, and I would send detailed feedback to the design team, and they’d send a few more suggestions our way. Back and forth we went, before finally settling on on the final version you see today. You might think that in the course of creating something, it’s only natural to iterate on a concept over and over, but the process this time was so painfully long… Still, all the pieces fell into place eventually, so let’s just say, “all’s well that ends well”!

And that’s where I think I’ll end this story. Thank you for sticking with me over two blog entries. Next time, it’ll be our localization director Janet’s turn again. I can feel this strong aura of incredible enthusiasm radiating from her desk behind me, like she’s just raring to talk about Soseki Natsume and the Meiji era for those who want to know more about the historical and cultural context behind The Great Ace Attorney’s setting. I hope you’ll join her then!

With the summer heat comes hot news with SFV Summer Update 2021! It’s hard to believe that last year we began our journey into Season 5 of Street Fighter V and now we’re reaching its end! We’ll soon be releasing Oro and Akira, and after that our fifth and final character, Luke! For now, let’s recap the news from our Summer Update event.

If you’ve missed the live stream and want to see all the action for yourselves, join SFV Director Takayuki Nakayama and Producer Shuhei Matsumoto as they dive deeper into all the reveals here:

Oro, the Hermit, comes out of his shell!

Returning from the Street Fighter III series, the wandering hermit is set to show these young kids how it’s done. Oro’s playstyle in SFIII has allowed for a variety of gameplay strategies and his SFV iteration is no different. We’ve gone over Oro before, in the SFV Spring Update, so check out that blog for a refresh of Oro’s moveset. We’ll briefly cover some more in-depth details here.

Oro’s V-System: Something Old, Something New, and Eyes Turned Blue

Oro’s V-Skills and V-Triggers are a combination of older moves from SFIII, as well as brand new moves that give Oro a variety of options for attacking his opponents. His V-Skill I, “Onibi,” is a bouncing orb projectile reminiscent of his “Yagyodama” Super Art from SFIII. This orb can bounce at three different trajectories depending on the direction held when activated and it can negate opponent’s projectiles.

Pro tip fromDirector Takayuki Nakayama: “The best time to activate ‘Onibi’ would be after knocking back the opponent with the heavy version of ‘Tsuranekeashi’ or the EX Version of ‘Nichirin Sho’, which is another projectile that chases after the opponent and is hard to avoid.”

Oro’s V-Skill II is “Minomushi,” a short hop that can be canceled off of normals and has two different follow-up attacks. The punch follow-up, “Kaki Otoshi,” is an overhead. The kick, “Eda Uchi,” is a move that closes the distance and is difficult for opponents to punish on block if you hit them with the edge of the attack.

With Oro’s V-Trigger I “Manrikitan,” his eyes burn blue and give him access to his command grab “Kishinriki” on the ground and “Kishin Kuchu Jigoku Gurama” in the air.

Oro’s “Tengu Stone,” also makes a return as his V-Trigger II. Oro pulls in three objects above his head that can create combos that weren’t possible before. Random rare objects, such as Sean’s Basketball or Blanka-chan, will add some extra damage or stun depending on which item you get.

If you hold Down while activating his V-Trigger, Oro will produce five objects instead of three. This move is called “Tengu Midare Stone,” and will drain the V-Gauge much faster… but it also opens up even more combo possibilities.

With “Tengu Midare Stone” included, all of Oro’s classic and secret moves have been incorporated into SFV, with even new hidden techniques added to the mix! All the while, he keeps his turtle friend safe in his opposite hand, maintaining his “one armed” style of fighting. Sometimes he’ll have the turtle levitate or balanced atop his head though…

We hope you’re all excited to play Oro when he releases on August 16!

Akira Kazama rides into Street Fighter V along with her brother Daigo!

New to the world of Street Fighter, Akira Kazama got her start in the fighting game world in the Rival Schools series, which debuted in 1997. The original game was a one-on-one style fighting game where players could call in teammates as assist characters.

In SFV, Akira calls upon the help of her older brother Daigo as her V-Trigger assist, similar to that of Rival Schools. Her playstyle is best when she’s up-close and personal, although she also has a few long range moves that can help keep opponents at bay. Let’s dive deeper into her moves.

Akira’s Special Moves

Akira brings her old moveset from Rival Schools alongside with some new tricks! “Kiko Kai” is a short ranged energy blast that can quickly and easily combo from normal attacks. The EX version has a longer range that can be utilized to control space.

“Urarimon” is a fast elbow strike that allows Akira to close the gap and deal a good amount of damage. She also can follow up with more attacks after landing the hit, but its best used as a combo ender.

Her “Senshubu” kick has three variations: low, medium, and high. Once you land a successful hit, you can maximize your damage utilizing the proper combo ender!

Akira’s V-System                                

Akira’s V-Skill I “Kiko Rensei,” enhances her “Kiko Kai” by adding more hits and damage to the attack. The enhanced EX version will also get a wall bounce, nullify opponent projectiles and the mid-air version gets an enhanced falling trajectory.

Her V-Skill II, “Tsutenda,” is an adaptation of a move that originates from Rival Schools,where Akira launches her opponents into the air for combo opportunities called “Air Bursts.”

This move can also be utilized at the end of her Target Combo for a “Short Air Burst,” which launches opponents at a shorter height than a regular “Air Burst.”

If you’ve watched our SFV Spring Update this past April, then you’ve already seen Akira’s V Trigger I. It’s called “Otoko No Senaka” and features her brother Daigo dropping down from the sky and slamming the opponent in an energy burst explosion!

Once Daigo is on the scene, he will continue to attack even if Akira gets hit! He can even interrupt opponents if they have Akira in a combo.

Her V-Trigger II, “Haten no Kamae,” puts Akira in a special fighting stance where she can execute three different follow-up attacks. Once activated, the V-Gauge becomes a timer allowing her to execute “Haten no Kamae” up to two times.

Each follow up attack has unique attributes depending on the button press. You can add damage and hits to your combos or execute an attack that is safe on block. You can also cancel the stance at any time and go for a throw instead! This V-Trigger is great for combo extensions or setting up frame traps and mixups. 

Akira has studied up and is ready to educate anyone who gets in her way!We hope you are ready to experience the perfect merging of Rival Schools gameplay within Street Fighter V when Akira arrives on August 16!

New Stage: Rival Riverside

Rival Riverside, a Rival Schools stage near a river and near Akira’s school, Gedo High School is a new stage that will be arriving alongside Akira, on August 16. The sunset means it’s after school hours, so you might see some other Rival Schools characters hanging around too.

Online Tournament Mode

We’ve also shared more details on the Online Tournament Mode! This free mode will be launching alongside Oro and Akira on August 16 and will be available to all players. Through this mode you’ll be able to create and participate in your own online tournaments with friends, Dojo members, and anyone from SFV community! You’ll be able to tinker with a wider variety of rule sets to make your tournaments as wild or restrictive as you want. We’ll have more information on this mode very soon, including some fun tournaments hosted by us, so stay tuned!

Season 5’s Final Character has been revealed! Luke enters the ring!  

Our biggest Summer Update 2021 announcement was about the one thing on everyone’s mind since we first announced Season 5: the 5^th and final character for Street Fighter V!

Introducing Luke, a brand new character that will help expand the world of Street Fighter. Check out the announcement video:

From what we can see, Luke appears to focus on moving fast and hitting hard. His punches even shoot beam-like projectiles at an alarming speed! Luke will step into the ring November 2021, and we can’t wait to share more info about him soon!

Round 2: Fortnite x Street Fighter

In addition to all the SFV news, we also announced our second collaboration with Fortnite! Guile and Cammy will be joining Fortnite as new outfits with unique emotes, obtainable for a limited time starting August 7. Also, be sure to check out the Cammy Cup tournament hosted by the Fortnite team, happening on August 5.

Street Fighter League returns for Season 4!

New info has emerged for the upcoming Season 4 of Street Fighter League coming soon! SFL Japan returns in August with Scouting and Qualifiers and Season 3 of the SFL US will complete in September. Then in October, get ready for Season 4 of Street Fighter League! Check out the Summer Update 2021 video for all the news!

In addition, we’ve also discounted all of the Capcom Pro Tour Premier Passes!

• CPT 2016 Pack – 50% off
• CPT 2017 Premier Pass – 50% off
• CPT 2018 Premier Pass – 30% off
• CPT 2019 Premier Pass – 25% off
• CPT 2020 Premier Pass – 25% off

SFV Season 5 Pass, Free Trial, and Sales!

Now that Luke has been revealed as the final character in SFV, check out what’s updated with the Season 5 Pass, including all five characters, costumes, and more!

In addition, we’re offering a Free Trial on PS4, from August 4 through August 18, where you’ll have access to SFV Seasons 1-4!

We also have some sales going on for SFV and, for the first time, we are discounting the Season 5 Premium and Character Passes as well as the SFV:CE + Season 5 and Upgrade Kit + Season 5 Pass bundles! Check it out:

Get the following content at a discount (PS4) | (Steam):

• Season 5 Premium Pass (25% off)
• Season 5 Character Pass (25% off)
• SFVCE + Premium Pass Bundle (30% off)
• SFVCE Upgrade Kit + Premium Pass Bundle (30% off)
• SFV (60% off)
• Champion Edition (up to 35% off)
• Champion Edition Upgrade Kit (40% off)

And that wraps up another SFV Seasonal Update! Thanks to everyone who has supported us over the years, especially with the fifth and final Season 5. We’re super excited to share more with you on Oro, Akira, Luke and the future of Street Fighter. Keep fighting!

Hi Everyone! Nice to meet you! I’m the main producer of The Great Ace Attorney Chronicles, Yasuyuki Makino. I can’t believe the game is really, finally, almost here. What a long road it’s been, truly.

As we approach the launch of my first title as a producer, I thought I’d share a few of my personal thoughts and fond memories of the Ace Attorney and The Great Ace Attorney series, along with a history of my work on the series. I hope you’ll join me on this trip down memory lane.

Before I joined Capcom, I’d worked in the promotional business for about 10 years. In my last year in that field, I had the good fortune to work on the promotional campaign of a famous anime, one that I’d wanted to be involved with since my university days. So, I really gave it my all. It was then that I felt I’d done everything I wanted to do in promotions, and after the end of the campaign, I started to look towards the next thing I wanted to try in life: making a game. When I began to consider where I’d want to go, the first name that came to mind was “Capcom”.

Why Capcom, you ask? It’s because I’m originally from Osaka…although that really only accounted for 5% of the reason why. The real reason is because, more than anything, I’d always thought of Capcom as this remarkable company that consistently develops and releases game after crazy game (I 200% mean this as a compliment!). Ghosts ’n Goblins, Mega Man, Final Fight, Street Fighter, Resident Evil, Onimusha, Devil May Cry, Monster Hunter… the list of hit series goes on and on. But the one that stood out to me the most is Ace Attorney.

I played my first Ace Attorney game as an adult, and though I started with the fourth entry in the series, Apollo Justice: Ace Attorney, it managed to really surprise me in many ways. I couldn’t imagine what sort of game it would be at first from words like ‘courtroom trials’ and ‘lawyers’, but I had far more fun than I thought I would, and the game design and characters blew me away. It had never occurred to me until then that I could become a lawyer and experience a legal battle through a video game, and I bitterly regretted not picking the series up sooner. The day after I finished Apollo Justice: Ace Attorney, I rushed out to buy all three of the Phoenix Wright: Ace Attorney games that came before it. Courtrooms and trials sound very stuffy and unrelatable on the surface, but as I played those games, I came to strongly feel and think, ‘It’s mind-blowing how Capcom’s taken such a boring-sounding concept and turned it into something so fun and appealing. It’s so fresh and groundbreaking… What a super creative company…’

And so, with thoughts of wanting to make (and release) an incredible series like Ace Attorney in mind, I decided to knock on Capcom’s door. Even with virtually no knowledge of how to make a game, I strongly stated during my job interview, ‘I love the Ace Attorney series and hope to have the change to produce an entry in it someday!!’ Thanks to my passionate plea (or not – I don’t honestly know…), I was hired, and from that day onwards, I was always on the lookout for a chance to work on the series.

My first chance came with the first game, The Great Ace Attorney: Adventures for the Nintendo 3DS. My job back then was to assist in the promotion of the game, so everything I did was behind the scenes. I picked and adapted 100 difficult brain teasers and created the web assets for the ‘The Great Ace Attorney 100 Quiz Questions Challenge’ by myself, worked to make hands-on demo events happen, came up with ideas for the ‘Ryunosuke Naruhodo’s Seven Days of Sin’ videos, and various other promotional activities. I even had the chance to play up to the climax of the story (and only up to the climax, which is connected to the tragedy that’s to follow). I thought the characters and the game’s world were the most charming of the entire Ace Attorney franchise, and the mysteries themselves! They were incredibly intriguing as well! The Dance of Deduction and Summation Examination systems were also really well made, I thought, as I waited with great anticipation for the day when players would get the chance to enjoy it for themselves.

… and then, it was launch day. ‘Ooh, looks like everyone is really loving it! This is great!’ I thought over that first weekend, and by Monday, there was a sea of online stores reviews. Players brought up all sorts of things, but the one that kept coming up was, ‘This game is the worst of the worst because it’s incomplete.’ Even though I wasn’t directly involved in the game’s development, the storm of terrible reviews was heart-breaking. My boss at the time told me to document all the reviews I could. So, with tears in my eyes for a game that I loved and a dev team I respected, I read each review one by one and collected them into a report. It was so hard, and I was so miserable that it really brought me down. After that, I began my work on a different title, so I wasn’t able to help with the 3DS version of the second game, which came out two years later.

Even though I wasn’t directly involved with Resolve itself, stories of how the dev team was burning the candle at both ends to complete a ghastly amount of work reached my ears. After the game’s release, I had the chance to better know some of the dev team members and work with them a little. It was then that I learned even more of their tale. To a dev team member, I’m kind of like an outsider looking in, but I think I just might be the most knowledgeable outsider there is about what the team was really going through at the time. Happily, Resolve was tremendously well-received by the fans, and I think perhaps players could even sense through their game screens the incredible pains and hardships the dev team went through behind the scenes. But the team had stayed strong through it all. To be able to feel the creators’ immense dedication and strength simply by playing their game is a really rare thing, I think. As for me, I’m pretty sure that the only Capcom game I’ve ever shed a tear over as the credits rolled was Resolve. I don’t mean to brag for the team, but it really is an amazing game.

As all you fans have said so many times, I really do think that Adventures and Resolve together forms one complete ‘god-tier game’. In fact, I’d go so far as to call it one of the best pieces of mystery entertainment in the world. Which is why I was so sad that we couldn’t bring it out in the rest of the world, and sad for the people who didn’t pick up the second game, and really, really sad for those who didn’t even pick up the first game. I guess it’s unusual for someone who wasn’t even a part of the original dev team to feel this incredibly sad over something, but that’s how I felt.

As I said, I had chosen to come to Capcom because of my love for Ace Attorney, and after a great many talks with the original dev members, I began to believe that perhaps it was my calling to try to re-introduce The Great Ace Attorney to Japanese players, and finally introduce it to the rest of the world. I’d worked on a few games by that point and gained some experience as a producer, so one day, at a meeting with my boss (the one who told me to write up all those reviews into a report), I boldly proposed, ‘Let me start a project to bring the two games together and port them to current gen platforms! I believe it will absolutely sell, so please give me the chance to show you!’ And…to my surprise, he simply answered, ‘I see… Well, I won’t say no just yet, so why don’t you try and come up with a plan first and we can go from there…’!!! In that moment, I could hear the doors to The Great Ace Attorney Chronicles project creak open.

The original dev team was unbelievably uncompromising when they created the 3DS version (to the point where the quality of things like the character models were far beyond what was necessary for that platform, lol), making me want to be equally as uncompromising on Chronicles! So I made all sorts of unreasonable requests of this game’s team and had a lot of new features developed and implemented. I really can’t blame our game director, Mr. Kougou, for grumbling about it all in his blog entry, but I joined Capcom for the chance to work on this series, so he was just going to have to put up with me. *laugh*

Adding features like the Special Contents section and Story Mode – I felt that we had to do whatever it took to bring this game out to the world, no matter what! So that’s what we did. I believe the dev team this time has made the game even more beautiful and even easier to play than before, and carefully packaged it all in one highly polished collection. I just want to say, ‘Great work, everyone! And thank you!’

It is truly my greatest wish for as many people as possible to play The Great Ace Attorney Chronicles, a game that was made with such love and care by so many dev team members.

I think I’ll stop here for today. Next time, I’ll be talking about the creation of the game’s logo in Japanese and English. I hope you’ll join me again for that. See you then.

Brain Teaser Answers

1. ‘500’ for the 500 yen coin – the symbols on the right represent the shape of the actual coins, so the monetary value with the mistaken representation is the 500 yen coin, which has no hole in the middle.
2. ハツゲンニイギアリ – this puzzle is based around the Japanese syllabary and the position of the letters in the traditional layout relative to the phrase (riddle) ひつぜんなきがかり, and then writing the answer in katakana instead of hiragana. (Traditional layout)

The day has finally arrived. Steel your resolve and prepare for adventure, because Ryunosuke Naruhodo is about to step into a Western courtroom for the first time. The Great Ace Attorney Chronicles is available now on Nintendo Switch, PlayStation 4, and Steam!

First up, a little bit of history for those not already in the know. The Great Ace Attorney: Adventures begins Ryunosuke’s journey, and was originally released in Japan in 2015 as Dai Gyakuten Saiban: Naruhodo Ryunosuke no Boken. Featuring Ryunosuke, ancestor to famed blue-suited attorney Phoenix Wright, the game was set a little over a century before the events of the original Phoenix Wright: Ace Attorney at the turn of the 20^th century. Its sequel, The Great Ace Attorney 2: Resolve – or Dai Gyakuten Saiban 2: Naruhodo Ryunosuke no Kakugo – was released in 2017 and picked up the story shortly after the end of the first game. For the past several years, neither of these games has been officially available in English… until now.

The Great Ace Attorney Chronicles brings both of these games together in one collection, providing dozens of hours of gameplay across ten compelling cases, all set against the backdrop of early 1900’s Japan and London. A grand story of Ryunosuke’s adventures, resolve, trials, and tribulations awaits you! From his very first steps as a nervous student who can barely say “Yes!” in the courtroom to a confident defense attorney who shouts “OBJECTION!” like no other (except his descendant, maybe), you’ll watch Ryunosuke change and grow throughout each novel adventure he embarks on. And it’s not as though he’ll be all on his own, either.

As Ryunosuke travels from his native home of Meiji-era Nippon (what Japan was typically called in English in the early 1900’s) to Victorian-era London to defend clients in the famous Old Bailey courthouse, he’ll be joined by Susato Mikotoba, a diligent judicial assistant who not only helps Ryunosuke during his investigations, but also takes an active role in helping the fledgling lawyer understand England’s legal system to better make their case in court. Outside of the courtroom, you’ll also find assistance from London’s own Ace Detective, the inimitable Herlock Sholmes, as well as the young doctor, author, and inventor, Iris Wilson. During investigations, Herlock will often offer up his “assistance” in deducing the truth of the matter via the “Dance of Deduction”. As Ryunosuke, you’ll need to find the holes in Herlock’s… over-eager deductions about people and places involved with the crime scene in order to find the truth of the matter. You’ll also meet plenty more of a colorful cast of characters along the way, including the famed – and perhaps cursed? – poet and author, Soseki Natsume; Lord Chief Justice of London, Mael Stronghart; pickpocket Gina Lestrade, and many more.

Standing across from Ryunosuke in court trials, however, will be the ruthless Barok van Zieks, a prosecutor who’s been dubbed with the distressing title of “Grim Reaper of the Old Bailey” due to the mysterious circumstances that seem to befall those he prosecutes. Throwing another wrench into things is the addition of multiple witnesses to the stand and a jury that can influence the outcome of the trial! Regardless of each juror’s stance, Ryunosuke will have his moment to conduct a “Summation Examination”, asking questions of the jury and pointing out flaws and conflicting statements in their logic. Help Ryunosuke sway the jury in the defense’s favor to secure a victory in court!

But… maybe you’re more interested in the story, and simply want to brew a cup of tea, put your feet up, and let the story unfold in front of your eyes. Maybe you want to share the game with your community without having to worry about the puzzles during investigations, or spending time on finding just the right statement or evidence to move things along in court. No matter what kind of player you are, don’t worry – we’ve got you covered!

The Great Ace Attorney Chronicles also includes a brand-new feature to the franchise: Story Mode! Just what it says on the tin, this mode lets you kick back and enjoy the story while the game takes care of finding items, solving puzzles, and pointing out inconsistencies all on its own. You can enjoy the game just like it’s a visual novel or even a TV show! This mode is completely optional and can be turned on or off at any time, too, so it’s also great if you just need a little nudge to get past a section that’s stumping you. A standard text auto-advance is also included.

There’s an incredible amount of extra features packed in as well. A gallery full of illustrations and commentary from the Art Director, plenty of music tracks with commentary from the Music Director, voice clips, and anime cutscenes from the story await you. There are also eight additional “Escapades” mini-episodes that are separate from the main story, two “Special Trial” videos, thirteen video clips from “Ryunosuke Naruhodo’s Seven Days of Sin”, and three alternate costumes that can be used in The Great Ace Attorney 2: Resolve. Oh, and there’s also a toggle to switch between English and Japanese voices.

Purchases before August 31^st, 11:59 PM EDT on Nintendo Switch and PlayStation 4 and purchases before September 1^st at 9:59 AM EDT on Steam will also receive the “From the Vaults” DLC, which includes additional, never-before-released illustrations and music that any fan of Ace Attorney – and any fan of excellent music –  is sure to enjoy.

From Ryunosuke to Phoenix, being an ace attorney really does run in the family. On behalf of everyone at Capcom, I want to say thank you to all the fans who have been patiently waiting for this day. The Great Ace Attorney Chronicles is now available both digitally and physically on Nintendo Switch, and digitally for both PlayStation 4 and Steam!

And with that, I trust nobody has a – say it with me now –

Hello, everyone! I’m Masakazu Kougou, the director and game planner of The Great Ace Attorney Chronicles. So far, we’ve heard about this game’s English translation, voice recording, and music recording sessions from each section’s leader, so I think I’ll start today off by talking about how the new ‘Story Mode’ feature came to be.

Story Mode

Originally, we had only planned to implement that staple of the modern visual novel genre, autoplay mode, into the game. But that doesn’t mean we didn’t have anything like Story Mode at all. Rather, we had a debug function that did basically the same thing.

Note: To “debug” something is the process by which we look for errors in the game and fix them, and “debug functions” are helpful tools that assist in the debugging process.

One day, a request came down to me from one of the producers.

• The Conversation:

I want you to add a new feature that we can use as a selling point.

N-Now? At this juncture?! Um… Let me check the project schedule…

By the way, how much additional time do we get to implement it?

Zero.

Huh?! Then…do we get more peopl—

No extra money means no extra staff. That will be all. I look forward to the results.

This is insanity…

*The producer wasn’t really as intimidating as Lord Stronghart, I swear!

I suppose anyone who’s worked in games, or in any other field for that matter, has come across this kind of situation before. But the producer wasn’t doing it out of spite, of course. He only brought this topic up to us, the dev team, after discussing it with a bunch of other divisions and determined that it was a truly necessary feature.

Still, I was suddenly tasked with this mission to find something worthy of being a selling point. But without extra time, money, or staff, the range of things I could suggest was severely limited and anything we’d want to do would be difficult to implement under such circumstances.

That’s when the producer approached me and asked about formally implementing that debug function.

• The Conversation:

As I recall, there’s a debug function that goes through the game all by itself, correct?

Yes, we’re not done making it yet, but it’s in the works.

I want you to put that into the main game.

You what? I mean, it’s just a tool. It’s not that simple to turn it into something usable for actual players…

Hm, in that case, I suggest you get going and talk with your team.

B-But, putting an auto-clear mode into a game like this is…

We have neither the time nor the money, so we will use whatever we have on hand.

Mr. Producer… sir!

It’s time for my next appointment. Confirm what you must. I expect a report next time we meet.

… understood.

*The producer wasn’t really as intimidating as Lord Stronghart, I swear! Again!

Yes, we did have a debug ‘auto-progression’ tool, but the steps required to turn it into a proper game feature were many. First, we had to check with our QA division to see if implement such a feature into the main game would cause any problems, and confirm what sorts of adjustments we would need to make. From there, we had to adjust our development schedule and talk amongst ourselves to iron out the logistics. Finally, after many more discussions with the QA division, we were finally able to implement the feature into the game.

Thus, the new Story Mode came to see the light of day. I have nothing but deep gratitude for the dev members who worked so hard to make it possible.

… if only we could’ve had just a little more money or time – or even personnel – we could’ve implemented any of the numerous other features I’d thought up, including a hint system instead of a straight up auto-clear mode, but that’s life, I suppose.

As a side note, before Story Mode got its name, we used to call it ‘Auto-Clear Mode’, but our overseas branch offices informed us that that name may not go over so well in the West, so we were asked to change it. Here are just a few of the other ideas we had:

・‘Great Ace Attorney Mode’ – in which Ryunosuke would never make a mistake in solving the case
・‘Assist Mode’ – in which the game would help players along
・‘Guiding Sword Mode’ – in which the game would help players and have a name more in line with the story’s setting

I sent these and a few other names along, and after many talks between the producers and our overseas branches, we settled on the one we know and love today. But personally, I’m also very fond of ‘Great Ace Attorney Mode’.

Special Contents

Now, I’d like to talk a little about the Special Contents section of the game.

Some of you may have noticed this already, but the Japanese name of this section, 特別付録 (tokubetsu furoku / lit. ‘special supplement’), comes from the original name of the Nintendo 3DS version’s add-on contents section, 電信付録 (denshin furoku / lit. ‘telegraphic supplement’). In this Special Contents section, we’ve included a selection of items from the original 3DS version’s The Randst Magazine DLC along with the special costumes from the second game. To this, we’ve added other goodies like Accolades and Moving Pictures, along with the credits for The Great Ace Attorney Chronicles.

• Accolades

Like PS4 Trophies and Steam Achievements, we’ve created a similar feature for this title dubbed ‘Accolades’. We did this because we couldn’t stand the thought of Switch players being left out of the fun after we’d worked so hard to create them for the other platforms. So, we created a special screen within the game from which you can check them out.

Even if you’ve played The Great Ace Attorney before, I really hope you’ll consider replaying this and trying your hand at getting every Accolade!

You can even check your progress on the more complex ones!

• Gallery – Portraits

For Chronicles, we’ve taken all the main characters’ illustrations from the original issues of The Randst Magazine and organized them by character. For the side characters and other standalone illustrations, we’ve brought them all together in the Miscellany section under their own separate headings. In addition, we’ve redone the layout of each illustration so that they’re bigger and easier to look at than before. We accomplished this by moving Mr. Nuri’s comments into text windows that you can show or hide at the press of a button.

The first screenshot is from Chronicles, while the latter is from the 3DS version. The reason the 3DS version looks yellower overall is because the 3DS screen is bluer in tone than a regular PC monitor. So, to compensate, the original dev team placed a yellow filter over their illustrations and textures to create the actual colour they intended onscreen.

• Gallery – Moving Pictures

This is another section that wasn’t in the initial plans. And this, too, was another producer request that came sometime before Story Mode.

• The Conversation:

I wish to include some videos in this title, as a selling point.

Huh? Um, well, let me check the project schedule.

Please do.

And what if we need to extend the schedule…?

No extensions, and no extra staff. I look forward to the fruits of your struggle.

… I’ll certainly give it my all.

*The producer wasn’t really as intimidating as Lord van Zieks, I swear!

And that’s how you end up with more and more work to do. But compared to Story Mode’s implementation, this feature wasn’t as big of a deal. However, there was the problem of deciding just how much memory could these videos take up. We had to calculate the total size of the game itself (but because we were still in the process of making it, we could only come up with a rough estimate), and then figure out how much of the remaining space we could devote to the videos. We strove to use every last byte available because if we were going to include these videos, we wanted them to look nice at the very least. So, we played around with the resolution, and with the help of the video production team, even adjusted the frame rate to keep their quality as high as possible.

• Auditorium – Instrumentals

There are three tabs in the Instrumentals section: Music, Miscellany, and From the Vaults (DLC). The Music and From the Vaults tabs are filled with background music, while the Miscellany tab houses sound effects and some special voice tracks. Background music tracks are set to automatically loop as they do normally in-game.

Initially, each tab was quite the mess, with some tracks looping automatically while others would stop after one playthrough. In trying to bring some order to the madness, we decided to make background music tracks loop and sound effects play only once.

… but honestly, aside from trying to make things more consistent, there were a few people on the team who reeeally wanted to listen to the new tracks in the From the Vaults tab over and over, so that’s the other reason why we ended up with looping background music tracks. Both ‘Baker Street Ball – Waltz for Chronicles’ and ‘Partners (Arrangement)’ are fantastic pieces, so if you’d like to hear them on loop forever and ever as well, I hope you’ll consider pre-ordering or purchasing this game as soon as possible!

• Art and Music From the Vaults Bonus DLC

Actually, this is yet another feature we hadn’t planned on implementing at the beginning of the project. This was around the end of the game’s development cycle, after the whole back and forth regarding Story Mode. Game development very rarely goes as initially planned, does it?

• The Conversation:

I wish to include an early purchase bonus for this title. Don’t you?

At THIS point in the project?! We never had any plans for a DLC, so I’m afraid I’ll have to check the schedule and…

Hmph. Then you’d best get started on your inquiry, wouldn’t you say?

Oh, and of course, you won’t be getting any additional staff, or money, or time.

…Right. Let me look into it, sir.

*The producer wasn’t really as intimidating as Lord van Zieks, I swear! Again!

If it happens once, it’ll happen again and again… and again. I honestly couldn’t believe he’d come to us at such a late stage with such a request, but the dev side seemed capable of handling it, and Mr. Nuri and the sound team were also able to provide us with the assets and commentary we required, so we started down the road to implementing this bonus DLC.

It was a very last-minute request, but thanks to the dev team’s hard work and Mr. Nuri and the sound team’s cooperation, we were able to pull it off somehow and bring it into the world. Especially with Mr. Nuri and his comments, he had so much to share that he consistently went over the page limit we’d set, so we had to quickly figure out how to add more text window pages to each illustration. All Janet (who had to translate that huge volume of text) and I could do was laugh wryly as we failed to contain his enthusiasm. *laugh* So if there’s one thing you can look forward to, it’s pages upon pages of art commentary from Mr. Nuri.

• Auditorium – Voice Recitals, Tailor, Escapades

These three sections are also taken from either The Randst Magazine or the second game, The Great Ace Attorney 2: Resolve. We had wanted to make it so that you could use the special costumes in the first game as well, but the character models are just a little different between the two games. Sadly, the cost of adapting the models to work for the entire first game was so prohibitively high that no amount of tears could make it happen…

We even considered making new costumes or letting people play as Inspector Sholmes or Ryutaro, but, as with the other costumes, these ideas fell by the wayside due to a lack of time and money…

• Credits

You can see the names of all the people involved in The Great Ace Attorney Chronicles here in the credits. The background music is a new piece commissioned specifically for this game entitled ‘Baker Street Ball – Waltz for Chronicles’! You can’t help but listen to it, even when you’re not looking at the screen. The little Shrewnosuke and friends that appear during the credits also take part in some memorable moments from Adventures and Resolve. I hope you’ll give it a look!

The main credits at the end of each game are basically the same as the original versions. But the English version is actually a little different in the way it presents people’s names, so please check those out, too!

Even though I only talked about Story Mode and the Special Contents section, it looks like I somehow wound up writing quite a bit… There are a lot more of these little backstage stories to share, but I’ll have to save them for another day.

Thus, ends my short run here, but there are still a lot more dev blogs to come! Especially noteworthy are the ones from our localisation director, Janet. Her blogs are chock full of information, so if you’re interested in what goes into a localisation, definitely give them a read!

Thanks for sticking around until the very end!

Hi, everyone! My name is Yasumasa Kitagawa and I’m the music director and lead composer for The Great Ace Attorney Chronicles. I’m thrilled to be here today to celebrate this game’s release on Nintendo Switch, PlayStation 4, and Steam.

Working closely with the game’s director, Mr. Shu Takumi, and my fellow composers, Mr. Maeba and Mr. Terayama, we gave birth to the soundtrack’s distinct sound through a lot of trial and error. In deciding the musical direction of this title, I first researched the Meiji era itself to get a sense of the background that would serve as the setting of the story. Unlike the mainline Ace Attorney games, I refrained from creating anything that would sound too digital or synthesized (and when I did employ such sounds, I made sure to use them in a way that would pair well with the surrounding analogue instruments), and used mostly period instruments in the instrumentation. I then add the finishing touches by making sure the pieces conformed to Ace Attorney music standards; which is to say, more than their musicality, I worked to fine tune each track’s ‘game music’ elements in order to make sure the songs would work properly as gameplay background music.

Beyond each track’s value as a song, the music of Ace Attorney must first and foremost serve the overall function of ‘game music’. In other words, they must fit with the feel of the game’s world and draw the player further into it. After clearing that benchmark, I would then focus on ensuring that the pieces would perfectly portray the key aspects of each moment or situation they are used in. For example, the Dance of Deduction piece must give the impression of two people making a series of deductions, and the Pursuit piece must instill the thrill of the chase within the player. Without this solid foundation, the pieces would fail to pass muster as The Great Ace Attorney music. In fact, Mr. Takumi was especially uncompromising on this particular point.

As for character themes, they required a different approach when composing them. Gameplay segments such as trials or a Dance of Deduction require that the background music prioritizes the overall mood of the piece. But for character themes, the real challenge is in how well I can capture the full breadth and depth of each character’s zany personality – something I can’t do through the overall mood of the pieces alone. So, to accomplish what I must, I highlighted the many facets of each character’s personality by distilling them into their own signature sounds. The tap, tap, tap of Sholmes’s shoes, the drip, drip, drip of Iris’s experimental solutions – and for Madame Tusspells, I gave her the skritch, skritch, skritch of a stick rubbing over a washboard. It may seem like a no-brainer that a listener should be able to instantly envision which character’s theme they’re listening to, but it was something I had to pay great attention to and be very disciplined about as I wrote.

Following these methods, I was able to create a rich musical soundscape for The Great Ace Attorney. I’m very happy to have received so many positive comments from players who’ve already played the game. I’m truly grateful for all your feedback.

This time, I’ve composed a few new pieces for Chronicles, including an arrangement of ‘Partners – The game is afoot!’, which is only available through the Early Purchase Bonus DLC. Featuring Mr. Akihisa Tsuboy on the violin and Ms. Yuka Fujino on the accordion (who also performs the The Great Ace Attorney pieces at every Ace Attorney Orchestra Concert), the hot fire of their passionate playing really brought the whole exciting arrangement together. Nothing would make me happier than for you to enjoy it as much as the rest of the music from the game itself.

And with that, I hope from the bottom of my heart that you’ll look forward to the release of The Great Ace Attorney Chronicles for Nintendo Switch, PlayStation 4, and Steam with great anticipation (and an ear out for the music)!

Hello, again! I’m Janet Hsu, Localization Director of The Great Ace Attorney Chronicles. Continuing from my last installment on localization, I thought I’d share a bit about the English dub and how we went about doing it in the middle of the pandemic.

From the beginning of the project, I’d had a few ideas in mind about what I wanted to do. I knew I wanted to use a UK studio, and that I wanted to cast actors with similar backgrounds to the characters in the game. As you can probably already guess, this is related to my want to make this title as authentic as possible.

It may seem strange, but up until the last couple of years, English game voice dubbing was primarily done in the US, specifically Los Angeles. But with the London setting being such a core element to the story this time, I wanted to be able to aurally paint with the entire pallet of accents that we were already using in the in-game text. This is not to say that there aren’t talented actors all over the world who can’t put on a mean British accent or two, but for the variety of accents and characters we were going to be portraying, I figured the largest pool of talent was going to be in the UK.

But, before we could pick out an exact studio, the pandemic struck, and the dev team and I were left wondering if we were even going to be able to record an English dub. One day, back when Japan was still relatively unaffected, the team leaders and I sat down to talk about what to do. Given how the pandemic was playing out and how severe the lockdowns were, we even floated the idea of using the Japanese dub and simply re-dubbing the necessary lines to Herlock Sholmes – it really was a situation in which no one had enough information about anything. We didn’t know how many actors had home studios or some other sort of recording environment capable of doing remote recordings, and we didn’t know what kind of contingencies the sound studios themselves would have – there were so many industry firsts to figure out. But in the end, it was thanks to the hard work and cooperation of our recording partner, SIDE UK, that made this high-quality English dub possible. To this day, I am thankful beyond words for all they did.

Our studio picked, we set about casting our voice actors. When SIDE asked if we had any preferences in casting, I wanted to answer that I wished to cast people of Japanese descent for all of the Japanese characters. But in the middle of the pandemic, it was highly possible that we wouldn’t be able to record in studio, which would’ve greatly reduced the pool of actors from which we could choose. Still, it was important to me that we had actors of Japanese descent to play our main characters, so I had to strike a balance and take the more realistic route by asking for Ryunosuke and Susato as ‘musts’ while the other characters would be ‘optional’.

Obviously, the reason why I wanted actors of Japanese descent was for authenticity as well. Aside from scenario considerations, I definitely didn’t want to make anyone put on an accent they didn’t feel comfortable doing, and I didn’t want to use some stereotypical, fake accent either. I also felt that whoever we cast would know what was best for their characters, so I trusted them to give the characters the appropriate accents for their backgrounds – something I’d only feel comfortable with if the actors were of that culture and/or life experience. For example, in the case of Ryunosuke and Asogi, they’re both studying English at university, so through exposure and practice, their pronunciation would be much closer to a British national’s, I imagined. Meanwhile, Susato mainly studied English at home by herself through essays and books (and ‘The Adventures of Herlock Sholmes’, of course!), so perhaps she didn’t have the chance to refine her accent to the same level as Ryunosuke. On that front, both Mark Ota (Ryunosuke) and Rina Takasaki (Susato)’s thinking aligned with mine, and I thank them for bringing that bit of themselves into their roles so beautifully.

I know for some people it might have seemed strange for the characters to have different accents, or to even hear Japanese characters speak with British accents, but I actually really like the fact that everyone is just a little different. As in real life, everyone has different talents and skills, and some people are better than others at speaking in another language with little or no accent, so it’s nice to have that kind of diversity being represented, I feel.

Going back to the casting process, we received around 4 – 5 demo reels per character from the casting directors and conducted a blind audition in which we didn’t know who the voice actors were. A few of us on the team listened to each and every reel, trying to figure out who we though sounded the most like Ryunosuke, or Iris, or Juror No. 3. Then, we compared notes and came up with our final list of top 2 picks per character like this:

And then, the first day of recording came. It really was a miracle that we were able to record in studio during that brief window when the UK’s countrywide lockdown had been lifted. Unfortunately, the sound director and I couldn’t go out to the studio ourselves as we normally would, which wasn’t ideal; it’s tough to make out small details and inflections in an actor’s read and listen for things like pops over the internet sometimes due to internet lag or network traffic. But with the studio’s help, we were at least able to attend the recording sessions remotely, which is a lot more than nothing. And, thanks to the time difference, we’d start recording at 5 p.m. Japan time, and wrap up at a mostly reasonable hour…if you count the occasional 2 a.m. wrap up “reasonable”, lol. (It would’ve been a lot worse had it been L.A., that’s for sure!)

During the recording, the sound director, one of our sound managers, and I were in one of Capcom’s mixing studios. There, the three of us sat like a team of ninjas with our black-colored face masks stuck firmly to our faces, while another of our sound managers was forced to sit all alone at his desk (everyone else had already gone home for the day) and join us virtually from a few floors up in the interest of social distancing. (Sorry, Kanaya-san! ><; )

To make the best of our studio time, the translators, the dev team, and I prepared a number of things in advance. The first of these was the recording script. The translators really outdid themselves by taking such care when writing it that most of the lines matched the Japanese length perfectly, and I barely had to do any on-the-spot rewrites. This helped a lot in the mouth flaps department and with real-time cutscenes where the length of each cut was pre-determined for the English dub, and kept the recording session rolling smoothly. The other thing we prepared were detailed background profiles for each character and other reference materials. Having all that information in advance helped the actors and the voice director to become familiar with the game and the characters they were to play, so we could hit the ground running the day of the recording. And with our voice director’s incredibly sharp and empathetic directions, our actors were able to give some incredible performances, despite the great time constraints that come with dubbing to another language track’s length. As you can see from the waveforms above, the two line up so insanely well that I shed a tear every time I look at it. But then, I expected nothing less from such talented professionals!

And that, as they say, is that…right? Well, not quite. As you can hear from this clip, even after we’d finished recording, there was still work to be done. Because I had only heard the acting through the internet, I first went through all the recordings and double checked all of the OK takes and selected new ones if I liked another read better. After finalizing my choices, the sound director adjusted the volume of each line and added in effects like reverb or other sound effects to complete the scenes. He then had to implement these files into the game like any other game asset. Lastly, my scripting buddy Chester and I had to adjust the timing of the subtitles so they’d display when they should. Looking back, it really makes you appreciate just how much work and how many people it takes to produce just one new language track for a game. To everyone from our partners at SIDE UK and the voice actors, to my fellow dev team members – from the bottom of my heart…

Thank you for everything!

And now we’ve come to the end of this miraculous tale. I’m really glad I had the chance to share just a sliver of what went into the localization of The Great Ace Attorney Chronicles. I’ll be back for one more blog in the future, but for now, the main composer, Mr. Kitagawa, will be here next time to talk about how he composed the wonderful music of The Great Ace Attorney Chronicles. It’s sure to be full of fascination insights, so you won’t want to miss it!

Until then!

Saddle up and get ready to embark on an unforgettable adventure! Your journey in Monster Hunter Stories 2: Wings of Ruin starts today on Nintendo Switch and PC!

Here’s everything you need to know to make the most out of your life as a Monster Rider:

Trial Version Save Data Progress

So first up, technically… you could’ve started your journey a few days ago with the Trial Version on Nintendo Switch, and have your progress carry over to the full game. So let’s start there.

Once you load up the full game for the first time, just select “Transfer from the Demo” and you should be good to go! Your story progress, Monsties, gear, etc. should all be there with you!

A couple of important things to note:

• Some options settings (camera, language, etc.) may not transfer over, so please double-check those once you load into the full game.
• On Nintendo Switch, please make sure you have downloaded the Trial Version and full game from the same eShop region to ensure save data compatibility.
• On PC (Steam), the Trial Version just launched today; it works the same way as the Nintendo Switch version.

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Game Size and Installation

Now let’s talk some important logistics for the full game.

On Nintendo Switch, if you get the physical version of the game, you can actually start playing straight away. Just pop in the cartridge and set out on your grand adventure. If you’re getting the digital version, however, you’ll need approximately 13.5GB of free space to download and install the game.

There is also a Day-1 Patch of approximately 0.5GB (500MB) in size, so be sure to connect to the internet and download that as well.

On Steam / PC, the file size is approximately 28GB. And since we’re talking PC, please be sure to review the Minimum Specs and Recommended Specs (both have been updated recently) on our Steam page.

Also: remember we have a hefty number of free post-launch content updates planned for Monster Hunter Stories 2, so keep some extra room open for them. If you wanna know what’s in the works, check out our Special Pre-Launch Program blog.

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Launch Starter Pack

Alright! So you’ve got the game installed, got your Trial Version progress transferred over and are ready to get started in the full game. How about we give you a little extra boost?

To celebrate the game’s launch, we’ve prepared a handy Item Pack that you can get for free, just by talking to the helpful Felyne NPC, named Connecticat, and selecting “Downloadable Content.” This Item Pack can only be claimed once per character and contains 10 Potions, 3 Gathering Charms, 3 Lucky Charms and 10 Mahana Dunkers! Pawsome!

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Deluxe Edition and DLC

By the way, while you’re talking to your friendly Connecticat, you’ll see our latest selection of DLC items as well, including the Deluxe Kit contents. If you’ve purchased the Deluxe Edition or any other DLC, that’s where you’ll go to claim it.

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amiibo Crossover Content

If you’ve got the Nintendo Switch version of Monster Hunter Stories 2 and happen to have any of the Monster Hunter Rise amiibo, you’re in luck! Just scan any of those amiibo and you’ll get a sweet sticker set featuring Hunters, Palicoes and Palamutes from MH Rise. You can use these to communicate with your Co-Op partners and coordinate strategies in battle with a fun Kamura flair to them.

And as you’ll see in the video below, you can also get MH Stories 2 themed stickers in MH Rise if you scan any of the MH Stories 2 amiibo.

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Monster Hunter Rise Crossover Content

Speaking of Kamura, if you have save data of Monster Hunter Rise and Monster Hunter Stories 2 in the same Nintendo Switch, you’ll get a special bonus layered armor in each game. In MH Stories 2, you’ll get the stylish Kamura Garb, and in MH Rise, you’ll get the traditional Rider Armor. Both of these look really good in each game, and you can even customize their key colors to your liking!

Camera Options

We’ve heard feedback surrounding camera behavior in the Trial Version and wanted to suggest trying to adjust options within the Camera menu. You’ll find it under the “Options Menu,” then “Camera.”

What is Monster Hunter Stories 2 anyway?

Hey! I see you out there, reading this as your first blog on Monster Hunter Stories 2. It’s cool; I got you covered! Here’s a quick summary of what this game is all about:

Monster Hunter Stories 2 is a story-driven RPG set in the world of Monster Hunter, where you play as a Rider (not a Hunter!) who can form bonds with monsters (called Monsties) and take them with you on your adventure and into battle. The gameplay looks very different from traditional Monster Hunter games, as it takes the form of turn-based combat. However, the Monster Hunter roots are still very much present throughout: you have to learn monsters’ behaviors, tendencies and weaknesses to come out victorious. It’s the perfect game if you’re brand new to Monster Hunter, or a series fan looking to dive deeper into the world from a new perspective.

Sounds good so far? Check out our game trailers below to really soak it all in, and if you want to take the game for a spin, we have a free Trial Version waiting for you on Nintendo Switch and PC.

That’s all for now. At this point, you should be ready to go and uncover the mysteries behind Razewing Ratha and the “wings of ruin!” Best of luck to all of you, young Riders!

Monster Hunter Stories 2: Wings of Ruin is available now on Nintendo Switch and PC, via Steam. Happy Egg Hunting!

Monster Hunter Stories 2 is so close to releasing, we can almost smell it! Ahead of next week’s launch, we have a carton-full of egg-citing news that just hatched today: a new trailer, info on post-launch updates, a co-op gameplay video, and more!

If you didn’t catch our live Monster Hunter Stories 2 Special Pre-Launch Program and want to watch it, here’s the archive video recording. It’s a 40-minute show, and there’s a really fun behind-the-scenes talk between producer Ryozo Tsujimoto and director Kenji Oguro; I definitely recommend checking it out:

Watch the whole thing yet? Cool, now you’re fully caught up. If you want, you can “make like a tree and leave” anytime. Before you go though, we also have a survey for this event, so if you have a few minutes to spare, please fill it out and let us know your thoughts. Click here to start the survey.

But if you want to see just a bit more, or simply like to read the news instead, stick around for a breakdown of the highlights.

Opening Theme Song

We opened the live show with what we thought to be the most fitting opening segment: the opening theme song of the game: “Scarlet Land Lit Up By The Heavens”. In the live stream, we played the Japanese version, but we also uploaded the English version to our YouTube channel.

Check out the video description for the lyrics, or just sing along with the subtitles.

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Launch Trailer

The next big reveal was our launch trailer. Can you spot any exciting Monsties you’d want to add to your party? I can see a pretty strong Elder Dragon near the end there…

At the end of the trailer, you’ll also see a quick sizzle reel of the upcoming post-launch content we have planned, which happens to be our next topic so… maybe pause the video once the game logo comes up near the end?

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Post-Launch Content

Alright, there’s a lot to cover here, so let’s get to it. And to help visualize things, here’s our Post-Launch Content Roadmap calendar:

Just one week after launch, on July 15^th, the Palamute from Monster Hunter Rise will be joining in as a Monstie. This trusty companion will join you in battle with its signature Canyne Kamura Blade and Kamura Armor. And, of course, you can ride it outside of battle too, just like you would in MH Rise.

On August 5^th, our second update will herald the arrival of Kulve Taroth, the Mother Goddess of Gold, from Monster Hunter: World. Much like her origins as a Siege Quest in MH: World, Kulve Taroth will be the target of a co-op Quest in MH Stories 2. You won’t be able to raise her as Monstie, but victory against her will eventually get you some dazzling and powerful equipment.

We know you like to collect and raise Monsties, though, so in that same update, you’ll be able to chase the Hellblade Glavenus and Boltreaver Astalos, returning Deviant Monsters from Monster Hunter Generations Ultimate.

In September, we’re scheduled to get two more updates. One coming early in the month, featuring more Deviant Monsters: Soulseer Mizutsune and Elderfrost Gammoth, in addition to the subspecies Oroshi Kirin. And the other update, coming later in the month, will up the stakes of Kulve Taroth quests by adding the High Difficulty version. That same update will also add the deviant Dreadking Rathalos and the rare Molten Tigrex.

And in October, the royal couple Silver Rathalos and Gold Rathian will join in as Monsties! There’s also one more co-op quest added, to take on a mysterious High Difficulty ??? Monster… get ready!

That’s quite a bit to chew on for now, and if you want to catch a glimpse of these updates in action, go back to our Launch Trailer and watch it to the end.

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Co-Op Gameplay

In the post-launch content section, I mentioned “co-op quests” a bunch of times… wanna see what that’s all about? Pawsome! We got you covered then. Socks and I got our hands on some co-op gameplay footage from our teams in Japan and talked about what’s going on. In this co-op quest, our Riders set out to hunt a Tigrex (pronounced tee-greks) as they look for Palamute eggs (Yes, you read that right). Of course, that quest won’t be available until July 15^th (see roadmap above), but there will be other co-op quests for you to take on in the base game.

Quick note about the Tickets that come up in the beginning: Only the host of the quest needs to use them in order to take on the quest. If you’re simply joining your questing partners, you can save your tickets for when it’s your turn to host.

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Wrapping Up

That’s pretty much all we’ve got for today. Thanks for joining us in this journey. We hope you enjoyed all the news, and we’re looking forward to seeing all of you set out on your own grand adventures next week when Monster Hunter Stories 2 launches on Nintendo Switch and PC via Steam on July 9^th!

Hi Everyone! I’m Janet Hsu, the English text writer of The Great Ace Attorney series, and one of the scripters of the Nintendo 3DS version of The Great Ace Attorney 2: Resolve… No, wait, that’s not right…

*ahem* Let’s try that again.

I’m Janet Hsu, and this time around, I’m the Localization Director of The Great Ace Attorney Chronicles. (Yes, there we go!) Welcome to the first in a series of behind-the-scenes articles about both games in The Great Ace Attorney duology – The Great Ace Attorney: Adventures and The Great Ace Attorney 2: Resolve. As this is a new game outside of Japan, I suppose it’s a bit strange to introduce ‘new features’, but even for long-time fans of the series, there are a few firsts in here to help make your experience even more enjoyable. And I should know – I’ve worked on every iteration of this game and in both languages, after all!

So, let’s strap on our goggles and take a look at what awaits in The Great Ace Attorney Chronicles!

Title Screen

First up, the title screen! This is what it will look like if you have a save file.

While it might look like your typical title screen, there are actually a few little features to make your life easier. Among these are the ‘Continue’, ‘Select Adventure’, and ‘Load Game’ selections. While ‘Continue’ and ‘Load Game’ seem to be the same thing at first glance, there is one key difference. ‘Continue’ automatically loads your latest save file, allowing you to effortlessly slip right back into the game from where you’d left off. Meanwhile, ‘Load Game’ allows you to manually choose which save data you’d like to start from. As for ‘Select Adventure’, this allows you to pick the game and episode – down to the chapter – from which to play. You can even do this the very first time you turn on the game! With these three options, it’s easier than ever to start playing from where you intend.

Now, eagle-eyed fans may have already spotted something else that’s new to this series in that Load Game screenshot above – an autosave slot! Yes, this game features an autosave function, so even if you forget to save (and you can save anywhere in the game, including the Escapades mini-episodes), there shouldn’t be too much gnashing of teeth involved…

‘Wait, what are the Escapades, ’ you ask? Well, they happen to be a part of the next stop on our tour!

From the Title screen, a plethora of Special Contents are available for you to peruse.

There’s the Gallery and the Auditorium, where you can view and listen to the gorgeous art and music of The Great Ace Attorney, but that’s not all. You can also sneak a peek at the various accolades we’re challenging you to collect, apply special costumes to Ryunosuke, Susato, and Sholmes, and play the 8 slice-of-life ‘Escapades’ stories.

But fair warning: if you’re the type to avoid spoilers, then maybe you should hold off on the Gallery and the Auditorium until after you’ve finished the two main games. The Escapades also contain small spoilers for the first game, The Great Ace Attorney: Adventures, so proceed with caution.

Options

Next, let’s look at some options.

As you can see, we’ve added a number of options to this version including individual on/off settings for things like background music, sound effects, and voices. We’ve also got options for controller vibrations, screen flashes, and even an option to set how long the game waits between each line of dialogue in Autoplay and Story Mode.

By the way, you’re not limited to using just your controller – you can play using the touch screen on the Nintendo Switch version and your mouse in Steam by interacting with the key guide that appears in the bottom right of the screen in-game.

When it comes to the voice language for cutscenes and interjections, you can change them at any time through the Title screen’s Options menu. Mix and match to experience the game in a way that’s authentic to you. Play with Japanese voices during the episodes set in Japan and English when the story moves to London, or stick with the amazing English dub all the way through – it’s completely up to you.

Now for some PC specific settings for Steam players.
In addition to key configuration options, I’m pleased to announce that ‘The Great Ace Attorney Chronicles’ supports 4K monitors. I hope you’ll enjoy the game in all its glorious beauty…if you can handle it!

In addition, we’ve created a bunch of goodies exclusive to Steam including trading cards and badges, as well as emoticons, profile and mini-profile backgrounds, and animated avatars, avatar frames, and animated stickers that will be available for purchase in the Steam Points Shop.

Autoplay and Story Mode

Many fans of the visual novel genre will already be familiar with the Autoplay feature, wherein the game will advance the text for you until you come to the end of a conversation or have to make a choice, but we’ve also created a clever little ‘’Story Mode” for people who just want to sit back and enjoy the story. Story Mode will do everything in the game for you, but beware! If you’re out to collect all the accolades, you’ll have to be a little clever yourself and consider carefully when and how to use Story Mode; there are certain accolades you won’t be able to obtain during that one playthrough if you do use it. For example, turn on Story Mode even once, and you won’t be able to obtain the accolade for clearing that episode.

That said, the game is set to Autoplay by default, so you can’t accidentally turn Story Mode on. Rather, you’ll need to go to the Options screen and then ‘Reader’ to manually turn Autoplay Mode into Story Mode. What a relief, right?

And that’s it in a nutshell! I hope you’ve enjoyed your first look under the hood, but there’s plenty more to discover. Join me next time on a deep dive about the localization of The Great Ace Attorney Chronicles.

Until then!